Motion Graphics and Compositing/Week 3

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3/10/2025-12/10/2025

Cai Zihan / 0378043

Motion Graphics and Compositing / Bachelor of Design in Creative Media / Taylor's University

TASK 1- Technical and individual Motion Graphics Sensibilities

TABLE OF CONTENT
INSTRUCTIONS
LECTURES
TASK 1 - Technical and individual Motion Graphics Sensibilities
FEEDBACK
REFLECTION

INSTRUCTIONS

<iframe src="https://drive.google.com/file/d/1Sm5c9tvx91bw5-0qsvgRRFM7_wpyueCg/preview" width="640" height="480" allow="autoplay"></iframe>

LECTURES
Composition is the term used to describe the arrangement of the visual elements.
It is how the elements of art and design—line, shape, color, value, texture, form, and space—are organized or composed according to the principles of art and design

Unity: Do all the parts of the composition feel as if they belong together Unity in an artwork creates a sense of harmony and wholeness, by using similar elements within the composition and placing them in a way that brings them all together. 
Variety adds interest by using contrasting elements within the composition

Balance: Balance is the sense that the composition "feels right" and not heavier on one side. 
Having a symmetrical arrangement adds a sense of calm, whereas an asymmetrical arrangement creates a more dynamic feeling.

Movement: There are many ways to give a sense of movement in a composition, such as the arrangement of objects, the position of figures, the flow of a river. 

Rhythm: In much the same way music does, a piece of art can have a rhythm or underlying beat that leads your eye to view the artwork at a certain pace.

Focus (or Emphasis): The viewer's eye ultimately wants to rest on the "most important" thing or focal point in the painting, otherwise the eye feels lost, wandering around in space.

Contrast: Composition with high contrast—strong differences between light and dark, for example—have a different feel than paintings with minimal contrast in light and dark.

TASK 1 - Technical and individual Motion Graphics Sensibilities


Fig 3.1 COMPOSITING SOFTWARE INTERFACE











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