IMMERSIVE VIDEO PRODUCTION/Project 2
IMMERSIVE VIDEO PRODUCTION
Cai Zihan / 0378043
IMMERSIVE VIDEO PRODUCTION/Bachelor of Design in Creative Media / Taylor's University
INSTRUCTIONS
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LECTURES
Week 4
360 Video Concept Development
• 360 video creators should focus on building immersive experiences for the audience.
• It is important to think about who the project is made for and how viewers will experience the environment.
• Traditional storytelling methods may not always work well in 360 videos because viewers can look in different directions freely.
• Emotional and character-focused stories are often more suitable for 360 video projects.
Why Emotional Stories Work in 360:
• They help audiences feel more connected to the character.
• Fear, anxiety, and emotional tension can become stronger in immersive environments.
• 360 experiences can create a stronger sense of presence and emotional impact.
Practical Notes:
• Use visual references, films, and mood boards to help develop ideas and atmosphere.
• Plan the concept carefully before production by using an idea checklist or story structure.
• Write a simple and clear synopsis to explain the main idea of the 360 project.
Project 2
The first video I shot didn't capture the classroom's essence. For example, I thought I could use editing to achieve the many arrows I needed in scene 1, but the professor required real arrows, so I changed the video content.
Script 2: First, the scene opens on the balcony, with a camera positioned between the bed and the balcony. The protagonist is very sad on the balcony, looking at the bed and lost in memories (there is a flashback transition). She remembers happily playing on her phone in bed earlier, and the flashback ends (there is another flashback transition). The protagonist walks from the balcony to the bed and sits down, starting to remember again (there is another flashback transition). A scream reminds her that she burned the food in the kitchen earlier, and she is very angry. The flashback ends, and she walks out of the room and sits on a chair in the living room. She sees different versions of herself approaching her, surrounding her (the camera is in the middle). The angry protagonist says "...", the sad protagonist says "...", and the happy protagonist says "..." (repeated twice).
The second take was slightly better than the first, but the transitions between the three scenes were not good, making it unclear to the audience what the video was trying to convey, as if they were three separate scenes.
Final Outcome:
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